Posted on

The best environmental books we’ve read in 2018

This is our third year of recapping the best books we’ve read over the past year.

Here are the 2017 and 2016 lists.

We’re so glad that the number of both readers and reviewers of EcoLit Books have grown enough to now have an annual tradition of celebrating our favorite books of the year.

And this is indeed something to celebrate because there were some amazing environmental and animal-themed books published over the past year, and these aren’t necessarily the books you’ll see on more mainstream “best of the year” lists. 

But these books are, in our humble opinion, some of the more important books of the year. Tackling topics that range from rethinking farming practices to how to coexist with wildlife in urban areas to our evolving relationship with the land and its many creatures.

I hope you enjoy the list. Thanks so much to our readers — and especially our contributors — for making EcoLit Books an online hub for eco-literature. Here’s to another year of reading like you give a damn.

Jacki Skole

American Wolf: A True Story of Survival and Obsession in the West by Nate Blakeslee 

American Wolf: A True Story of Survival and Obsession in the West by Nate Blakeslee is a riveting account of the life and untimely death of O-Six, Yellowstone’s most famous wolf. It is also the story of humanity’s timeless attempt to bend nature to its will, no matter the cost.

Rising by Elizabeth Rush

Rising by Elizabeth Rush takes readers on a graphic tour of U.S. coastal communities grappling with the devastating effects of climate change. From Maine to Miami, the Gulf Coast to the Bay Area, Rush reveals how lives, livelihoods, and entire ecosystems are undergoing irrevocable changes that are destined to leave many of these communities uninhabitable. It is not an uplifting read, but it is an important one.  

Midge Raymond

Clean Meat by Paul Shapiro. 2017.

While the notion of “cultured meat” or “lab-grown” meat may sound odd to many, Paul Shapiro’s book makes the case for why this new industry is among our best hopes for, quite literally, saving the world….Clean Meat should be read by anyone who cares about the planet, but most of all by those who currently eat and wear animals the way these products are made today. This book provides a detailed, well-rounded examination of a new industry that highlights the challenges — and the incredible possibilities — of feeding and clothing us all in an increasingly populated and demanding world. 

Heather Taft

Reflecting on the environmental books I’ve read this year, two really stand out to me. My first recommendation is a children’s book I read this summer for 8-11 year olds called Poacher Panic by Jan Burchett and Sara Vogler, illustrated by Diane Le Feyer.

This book focuses on the rescue of a wild tiger in Sumatra and her two cubs that are set to be taken by poachers once the cubs are old enough to leave their mom. Ben and Zoey work to track down the tigers, while they try to figure out who the poachers are, so they can rescue the tigers before the poachers get to them first. Their research also teaches them about the trafficking of wildlife and animals parts. The book is written at an appropriate level for children. It is also the first book in the Wild Rescue series, so there are more books focused on other species and wildlife issues around the world to choose from if your child likes this one.

Lion Hearted: The Life and Death of Cecil & the Future of Africa’s Big Cats by Andrew Loveridge

Clearly I have a passion for big cats. As a conservation biologist I knew trophy hunting had devastating effects on lion prides in Africa. This book explained the nature of lion prides and the impact of losing males over and over again, leading to decreasing pride sizes. I also was not aware of the extent of government involvement in trophy hunting and the impact this can have on a researcher trying to save the lions they are using to make money. It was a very interesting and informative read for me.

John Yunker

Where Song Began: Australia’s Birds and How They Changed the World by Tim Low

Thanks to DNA, we now know that Australia is the wellspring of the planet’s songbirds. And it wasn’t until the second half of the last century that Australians themselves began to appreciate that songbirds evolved in their backyards. And it’s not only songbirds that Australia gave the word but parrots.

The Overstory by Richard Powers

When we started EcoLit Books five years ago, this was the type of book I had in mind. A novel that places nature in its proper place in relation to people. That is, above us — in this case, both figuratively and literally. In The Overstory, Richard Powers has crafted an epic novel that stretches hundreds of years, culminating in a series of life-and-death environmental battles. But even more so, this is a novel about rediscovering the largest and oldest living creatures on our planet.

The Center for Humans and Nature

Farming While Black: Soul Fire Farm’s Practical Guide to Liberation on the Land by Leah Penniman, Chelsea Green Publishing 

Beasts at Bedtime: Revealing the Environmental Wisdom in Children’s Literature by Liam Heneghan, University of Chicago Press

Rust Belt Arcana: Tarot and Natural History in the Exurban Wilds by Matt Stansberry, Belt Publishing

This Radical Land: A Natural History of American Dissent by Daegan Miller, University of ChicagoPress

Rising: Dispatches from the New American Shore by Elizabeth Rush, Milkweed Editions

The Overstory: A Novel by Richard Powers, W.W. Norton

Food from the Radical Center. Healing Our Land and Communities by Gary Paul Nabhan, Island Press

Wildly Successful Farming Sustainability and the New Agricultural Land Ethic by Brian DeVore, University of Wisconsin Press

The Tangled Tree: A Radical New History of Life by David Quammen, Simon & Schuster

Timefulness: How Thinking Like a Geologist Can Help Save the World by Marcia Bjornerud, Princeton University Press

 Underbug: An Obsessive Tale of Termites and Technology by Lisa Margonelli, Farrar, Strauss Giroux

New Dark Age: Technology and the End of the Future by James Bridle, Verso

Climate Leviathan: A Political Theory of Our Planetary Future by Joel Wainwright and Geoff Mann, Verso, 2018

The Way of Coyote: Shared Journeys in the Urban Wilds by Gavin Van Horn, University of Chicago Press

Frog Pond Philosophy: Essays on the Relationship between Humans and Nature by Strachan Donnelley, edited by Ceara Donnelley and Bruce Jennings, University Press of Kentucky


Posted on
Posted on

Book Review: Fracture: Essays, Poems, and Stories on Fracking in America, co-edited by Stefanie Brook Trout and Taylor Brorby

Reviewed by Lucia Hadella in partnership with Oregon State University’s Spring Creek Project and Environmental Arts and Humanities program.

How does one go about telling the story of hydraulic fracturing in the United States in a way that illuminates its repercussions for humans and nonhumans? Through poetry? A short story? An essay? Does one travel to a town where fracking is prevalent and talk with its residents, see the operations, walk across the scarred ground? Editors Stefanie Brook Trout and Taylor Brorby made the decision, when putting together Fracture, to include all of these approaches in an effort to capture the qualms and indignations surrounding fracking.

The story of fracking is globally relevant, contributing to the larger saga of climate change and energy production, but it is also local, personal, and intimate. In her poem “Small Buried Things,” poet and singer-songwriter Debra Marquart writes to fracking states, such as North Dakota, with a warning and a plea. Highlighting the sacrifice of life-sustaining water and air for the quick returns from fossil fuel development, she writes, “more oil than we have water to extract / more oil than we have atmosphere to burn.” Addressing her home state, she urges, “north dakota   dear sleeping beauty   please, wake up / they have opened you up and said, come in   take everything.”

I first learned about fracking during my senior year of high school, and I can still remember those infographics depicting the cracks that spread through the shale layer, sometimes more than a mile below the Earth’s surface, branching like a system of roots where trees will never reach. I remember the video of a woman in Pennsylvania turning the knob to her kitchen sink, lighting a match, and flinching as the water ignited with a flash. She talked about methane levels, about getting dizzy in the shower, about the money the gas companies gave her to lease her land for drilling. As an Oregonian who had not witnessed fracking firsthand, my schooling on the subject was important but incomplete.

Indeed, one can only learn so much about fracking by watching videos and studying diagrams. A collection like Fracture helps to humanize the on-site damage done by fracking and offer a more complete look at the political and economic forces at play. In order to gain insight for his Fracture contribution “The Occupation,” writer and professor Paul Bogard traveled to southeastern Ohio to better understand how communities there are affected by natural gas extraction. “What I saw in Ohio,” he writes, “is a land under occupation.” Between the “ubiquitous tankers labeled ‘brine’” and the “constant industrial noise, like a factory’s churn and whine,” Bogard quickly determines that the real-life fracking scene is far different from that described by the oil company Halliburton.

Fracking wastewater pond, courtesy of the Filmmaker Fund

On their website Halliburton depicts fracking operations as quick, quiet, and safe. Advertising to communities made vulnerable by poverty and limited access to education, the company downplays the environmental disruption and chemical contamination while emphasizing opportunities for job growth and “easy money.” Bogard learns from his hosts, Appalachia locals, that the oil and gas companies first try to coax landowners into signing leases, and then they revert to divisive tactics if that doesn’t work, “turning neighbor against neighbor.”

Like so many other contributors, Bogard’s narrative style entices Fracture readers, and I found myself roped in by the human intrigue of his journalistic approach—and then I remembered that these disturbing stories are real. The threatening industry representatives, the landowners who are duped and coerced, and the ground that “has the look of a recent battle, torn up and scraped bare, all yet to heal” comprise the reality right now in many towns across the nation. It seems appropriate that some authors in Fracture chose fiction as their avenue for exploring a practice whose implications for the future are both significant and unknown. The subject is heavy, and it tugs at the imagination, demanding an explanation and a way to look forward for what actions must be taken.

This heaviness is the reason why Fracture, which reads smoothly from page-to-page, author-to-author, and genre-to-genre, is also demanding. It requires from its readers a degree of empathy and self-reflection, all the while provoking frustration with a larger system that allows and perpetuates suffering at the hands of power. In her essay “The View from 31,000 Feet: A Philosopher Looks at Fracking,” nature writer and philosopher Kathleen Dean Moore stares down at an eastern Utah landscape speckled with fracking wells. From her seat in the airplane she wonders, “By what right do humans take what they want from the land—not just what they need, but whatever they want—with no regard for the living, animate community that already exists in that place?”

Indeed, some Fracture contributors, such as Moore, take their discussions beyond fracking, seeing the practice as one component of a broader system of resource exploitation in the name of growth, convenience, and progress. In his essay “Insanity,” activist and philosopher Derrick Jensen examines fracking as one part of a dominant culture obsessed with growth at any cost. He reminds readers that “[f]racking is not one lone mistake. It’s not one lone act of greed. It’s part of a larger pattern. It’s one symptom of the disease—the insanity—that is this culture.” He urges readers to fight fracking with this larger picture in mind and to understand that what is needed in taking action against fracking is a systemic shift and not one that views the extractive practice in isolation.

And indeed, Fracture is a call to action. In fact, it comes complete with several guides on how to take charge against fracking. In “A Feminist’s Guide to Fighting Pipelines,” activist-publisher Ahna Kruzic and sociologist Angie Carter share sage advice on getting started, building community, moving forward, caring for oneself, and adhering to radical imagination. I will leave you with their words as a gesture of resistance: “Trust that through the undoing, the dismantling, the collapse, we will learn to remake and will remember to question, to honor, to debate and disagree and come together again.”

Lucia Hadella grew up in Talent, Oregon. She received her B.S. in Natural Resources from Oregon State University, where she is currently earning an M.A. in Environmental Arts and Humanities.

Fracture: Essays, Poems, and Stories on Fracking in America

Ice Cube Press

Read and share your own thoughts on the Center for Humans and Nature’s Questions for a Resilient Future Series: Does fracking violate human rights?

Posted on
Posted on

Submission window is now open for the 4th annual Siskiyou Prize for New Environmental Literature

Now in its fourth year, The Siskiyou Prize for New Environmental Literature is now open for submissions of published and unpublished manuscripts, including novels, memoirs, short story collections, and essay collections..

The 2017 prize will be judged by New York Times bestselling author Jonathan Balcombe.

The winner will receive a cash award of $1,000 and a four-week residency at PLAYA. The submission deadline is September 30, 2014. For complete writers’ guidelines, click here. All unpublished manuscripts entered for the Siskiyou Prize will be considered for publication.

New environmental literature” refers to literary works that focus on the environment, animal protection, ecology, and wildlife. The prize seeks work that redefines our notions of environmentalism and sustainability, particularly when it comes to animal protection. The award isn’t for books about hunting, fishing, or eating animals—unless they are analogous to a good anti-war novel being all about war. Under these basic guidelines, however, the prize will be open to a wide range of fiction and nonfiction with environmental and animal themes.

The Siskiyou Prize is named for the Klamath-Siskiyou region of northern California and southern Oregon, one of the most diverse eco-regions in the world. Considered a global center of biodiversity, the Klamath-Siskiyou region is an inspiring example of the importance of preservation.

For more information, click here, or visit the Ashland Creek Press submissions page.

Posted on
Posted on

Our 2017 Siskiyou Prize judge is Jonathan Balcombe

We are thrilled to announce that our 2017 Siskiyou Prize judge is Jonathan Balcombe.

Jonathan’s most recent book is the New York Times bestseller What a Fish Knows: The Inner Lives of our Underwater Cousins, an extraordinary journey underwater that reveals the vast capabilities of fishes. He is also the author of the books The Exultant Ark, Second Nature, Pleasurable Kingdom, and The Use of Animals in Higher Education.

Jonathan has three biology degrees, including a PhD in ethology (the study of animal behavior) from the University of Tennessee, and has published more than 50 scientific papers on animal behavior and animal protection. Formerly department chair for Animal Studies with the Humane Society University and senior research scientist with the Physicians Committee for Responsible Medicine, Jonathan is currently Director of Animal Sentience with the Humane Society Institute for Science and Policy in Washington, DC. Learn more at jonathan-balcombe.com.

This year marks our fourth annual Siskiyou Prize, and we are delighted to be offering a $1,000 prize and a four-week writing residency thanks to the generosity of our amazing prize partner PLAYA. All manuscripts submitted for the prize will be considered for publication by Ashland Creek Press.

Please visit the Siskiyou Prize website for complete details about the prize — submissions open September 1, 2017. We look forward to reading your work!

Posted on
Posted on

ASLE announces 2017 book award finalists

The Association for the Study of Literature and Environment has announced the finalists for their bi-annual book awards. The ASLE book awards “in the areas of ecocriticism and environmental creative writing recognize excellence in the field.”

 

Creative Award Finalists

The judges were Emily McGiffin, the winner of the ASLE Creative Writing Award in 2015, who lives in Vancouver, BC; Rich King, a finalist for the 2015 Creative Writing Award, a research associate with The Maritime Studies Program of Williams College and Mystic Seaport; and Tom Hallock, who teaches in the Visual & Verbal Arts Department at the University of South Florida-St. Petersburg.

Branch, Michael P.  Raising Wild:  Dispatches from a Home in the Wilderness.  Boulder:  Roost, 2016.

“A beautifully-written collection of essays that splices memoir with natural history as it carries us deep into the unsung terrain of domesticity in the wilderness. Michael Branch is keenly observant and unfailingly witty as he schools us in the natural wonders of his home.”

 

 

Hanson, Chad.  This Human Shape.  Northfield, MN:  Red Dragonfly, 2016.

“A beautifully-written collection of essays that splices memoir with natural history as it carries us deep into the unsung terrain of domesticity in the wilderness. Michael Branch is keenly observant and unfailingly witty as he schools us in the natural wonders of his home.”

 

 

Moore, Kathleen Dean.  Piano Tide:  A Novel.  Berkeley:  Counterpoint, 2016

“A beautiful, unique, and suspenseful novel. Kathleen Dean Moore has somehow channeled the ecology and humanity of E. Annie Proulx’s Shipping News and John Steinbeck’s Cannery Row into Good River Harbor, an imaginary town in Southeast Alaska. Even while focusing on the details and spinning a page-turner, Moore encompasses most of the major issues of the twenty-first century in the Pacific Northwest: salmon, water, tourism, jobs, global warming, wilderness, and the lives and legacy of First Peoples. Howard, her straight man caught in the middle, begins to think the same as Nora, the eco-activist: Imagine how you can live in a place without wrecking it.”

Raymond, Midge.  My Last Continent: A Novel. New York:  Scribner, 2016.

My Last Continent is a love story. Raymond teaches us how and why to love Antarctica. She lures us into loving her nuanced protagonist, a field ornithologist named Deb Gardner. And Raymond shows us how and why to love all the other scientists and romantics who spend part of each year at the bottom of the world:” those who have run out of places to go, and those who have run out of places to hide.” Can a drama of romance and shipwreck and penguins also have something to say about ecotourism and climate change? Yes. My Last Continent is what happens when a nature writer crafts an event like the Titanic.”

(Midge Raymond is an EcoLit Books contributor!)


Savoy, Lauret Edith.  Trace:  Memory, History, Race, and the American Landscape. Berkeley:  Counterpoint, 2015.

“Well researched, timely, gracefully written; particularly intriguing on the connections between landscape, memory and race.”

 

 

 

Sutherland, Kate.  How to Draw a Rhinoceros:  Poems by Kate Sutherland.  N. p.:  Book Thug, 2016.

“Surprisingly insightful in its contemporary adaptations of earlier natural history traditions.”

 

 

 

 

Tevis, Joni.  The World Is on Fire:  Scrap, Treasure, and Songs of Apocalypse.  Minneapolis, MN:  Milkweed, 2015.

“Some of the most explosive prose I’ve read in some time. Unsettling.”

 

Ecocriticism Book Award Finalists

The judges were Nicole Seymour, winner of the the winner of the ASLE Ecocritical Book Award in 2015, Tom Lynch, founding coordinator of the ASLE Book Awards and editor of the journal Western American Literature, and Molly Westling, Professor Emerita at the University of Oregon and author of The Green Breast of the New World: Landscape, Gender and American Fiction.


Stacy Alaimo, Exposed: Environmental Politics and Pleasures (University of Minnesota Press, 2016)

“This book is a rich, very original extension of Alaimo’s influential concept of “transcorporeality” from her previous scholarship. Exposed explores the radical ways such a perspective erases illusions of human separateness from the rest of the living world, thus leaving Cartesian objectivism far behind. With ingenuity and nuance, Alaimo here applies queer theory, marine biology, feminist posthumanism, and exciting aesthetic analysis to insist on human embeddedness in the deep material reality of earth and especially sea on the one planet where we belong and whose climates are rapidly, dangerously changing.”

 

Derek Gladwin, Contentious Terrains: Boglands, Ireland, Postcolonial Gothic (Cork University Press, 2016)

“An original, richly theorized examination of the deep landscape histories embodied in Northern European boglands, especially in Ireland, and literary treatments of their meanings by writers from Bram Stoker, Frank O’Connor, Sean O’Faolain and Nobel Laureate Seamus Heaney to more recent poets and playwrights and remarkable geocultural nonfiction writer Tim Robinson. Gladwin as a Canadian ecocritic brings fresh postcolonial approaches to consider these shifting spaces that are part water, part earth and that have moved and changed in radical ways over geological time and more recently through empires from Celtic and Roman to Viking and Anglo powers.”

 

Ursula Heise, Imagining Extinction: The Cultural Meanings of Endangered Species (University of Chicago Press, 2016).

“Heise brings her formidable analytical skills and erudition to an analysis of how we think about and respond to one of the main aspects of the Anthropocene, extinction. Makes a strong case for the importance of the humanities in how we understand what is often considered to be a purely scientific problem. Well written, this will be a key text in the field for years to come.”

 

Erin James, The Storyworld Accord: Econarratology and Postcolonial Narratives (University of Nebraska Press, 2016).

“James adeptly combines three fields often seen as distinct: ecocriticism, narrative studies, and postcolonial studies. Of special note is how the book uses narrative theory, supplemented by cognitive neurobiology, to explain how readers come to inhabit the world of stories, helping us to move beyond the poorly theorized “mimesis” conundrum that has bedeviled ecocriticism. Surprising and innovative insights on every page.”

 

Jesse Oak Taylor, The Sky of Our Manufacture: The London Fog in British Fiction from Dickens to Woolf. (University of Virginia Press, 2016).

“This book fills a significant gap in terms of ecocritical work on both Victorian studies and modernism. Indeed, Taylor makes a persuasive case for literature of that period as Anthropocene literature – and, in so doing, offers a stronger account of the notion of Anthropocene literature than I’ve seen elsewhere. This book seems as important to ecocriticism/environmental humanities as it does to studies in the novel, modernism, Dickens studies, etc. – which I think is quite a feat. It’s also elegantly written and displays highly original thinking.”

Priscilla Solis Ybarra, Writing the Goodlife: Mexican American Literature and the Environment. (University of Arizona Press, 2016).

“This book also fills a significant gap — in this case, when it comes to coverage of Latinx/Chicanx literature and culture. I believe it’s the first book-length ecocritical study of Mexican-American literature. While groundbreaking in these ways, the book also provides a nice complement to extant work on African-American, queer, and other minority traditions of eco-engagement. It makes a bold, counterintuitive but ultimately crucial case against terms such as “environment” and “environmentalism,” showing how they are coded in racially exclusive ways. I also appreciate how the preface models the importance of the personal in the scholarly.”

 

Winners will be announced in June.

ASLE

Posted on