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Ecovillages Around the World: 20 Regenerative Designs for Sustainable Communities edited by Frederica Miller

As a conservation biologist I see ecovillages as an example for all of us. We need to reduce our impact on the Earth, and these communities are doing that well. This book looked like it would provide good examples to show my students how they could reduce their impact as well.  However, I would have liked more detail to help others start their own community, or give people ideas for ways to reduce their individual impact on the Earth.

Ecovillages Around the World: 20 Regenerative Designs for Sustainable Communities edited by Frederica Miller is the fifth book in a series. Each of the four previous books focused on one of four keys to designing sustainable communities: social, ecological, economic, and worldview.

This one includes examples of ecovillages that range from ones that are just developing to ones that have been around for decades, and from more typical community designs focused mostly on efficient housing to communities that include sustainable housing, shared spaces and vehicles, gardens, forests, and more.

The book started with a description of what elements comprise an ecovillage and several pages dedicated to each community highlighting these same elements. Differences were observed between the communities. Each had their particular spiritual focus supporting their community. Many had shared economies, and some even had their own monetary system. The communities shared the common themes of having master plans to drive the community design, the desire to use more sustainable, and often low-cost, housing options. Many had shared items and spaces that not everyone needed to own individually, such as cars and kitchens. There were sustainable farming practices, sustainable waste disposal systems, and sustainable power generation was practiced. There was not much detail though for each community and how the people began their community with these systems.

The book had the potential to show people how to create a sustainable community by providing more detail and highlighting the way the communities combined the four keys for sustainable design they mention. The four keys were not mentioned specifically in the sections on communities though, and the detail provided in each section was not enough to help people understand how to start their own ecovillage based on the examples of others.

After the 20 ecovillage sections there is a section with the biographies for each person who wrote about one of the communities. This seemed out of place. At that point in the book I could not remember the details of the community each person came from to be able to place them in the life of that community.  It would have been nice to have each of the author’s biographies with the section they wrote.

Following the biographies is information on Gaia education.  This also seemed out of place. Designing sustainable communities is part of this education, and there are specific programs for learning different elements, even ones that lead to graduate degrees.  This focus on education at the end did not flow from the focus on the 20 ecovillages though.

Overall, I thought the topic for the book was a great idea, and it had good potential, but it didn’t provide the information I expected to help others adopt more sustainable practices.

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The Overstory: An arboreal love story (and lament)

When we started EcoLit Books five years ago, this was the type of book I had in mind.

A novel that places nature in its proper place in relation to people. That is, above us — in this case, both figuratively and literally.

In The Overstory, Richard Powers has crafted an epic novel that stretches hundreds of years, culminating in a series of life-and-death environmental battles. But even more so, this is a novel about rediscovering the largest and oldest living creatures on our planet.

So many of the characters are alien to the trees they share the planet with until various events open their eyes. And they look. They smell. They see and feel the loss. And they act up.

The book could be used to teach a course on trees. And it should be used for just that purpose. I have books about trees — mostly identification. But identifying a tree is only step one. How does a tree relate to the creatures around it? How does it respond to insect attacks? How does it care for its siblings? And other species of trees? For example, the Douglas Fir, which we live among here in Southern Oregon, are called “giving trees” because the dying trees will send out nutrients to the Ponderosa Pines. Powers does an outstanding job of providing insights into beings we have only just begun to understand.

But there are oversights in the novel in regards to activism. While the novel addresses environmental activism in Oregon and elsewhere, the players are too often seen eating meat without any awareness of the irony of defending one living entity while eating another. I know that many of those activists who have served actual time behind bars for similar crimes are vegan. They don’t differentiate between protecting trees and protecting non-human animals. And it must be noted that millions upon millions of acres of forests have been cleared for the sole purpose of raising cows and sheep for human consumption.

In many ways I feel that this novel begins where Barkskins by Annie Proulx ends. And I highly recommend reading them in chronological order. And I’m not just talking about time but about awareness — our collective awareness that the planet is not some all-you-can-eat buffet, that the planet is, like us, finite and fragile. If you are not a “tree hugger” before reading these two books, you will be afterwards.

And I think what I like most about this book are the voices he gives those who have no (human) voice. Such as: All the ways you imagine us–bewitched mangroves up on stilts, a nutmeg’s inverted spade, gnarled baja elephant trunks, the straight-up missile of a sal–are always amputations. Your kind never sees us whole. You miss the half of it, and more. There’s always as much belowground as above.

Like the trees Powers writes so beautifully about, this book towers above us and nurtures us. And, I certainly do hope, it motivates us to do more. And quickly.

The Overstory: A Novel

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Book Review: The Animals’ Agenda by Marc Bekoff & Jessica Pierce

The Animals’ Agenda: Freedom, Compassion, and Coexistence in the Human Age by Marc Bekoff and Jessica Pierce is an important and timely book that examines the human relationship with — or, more accurately, examines the many ways in which humans use — animals and how this relationship needs to evolve. This book asks readers to rethink how we see animals and to adopt more compassionate practices toward them, from animals used for food and entertainment to those in the wild.

If this book has one message that we all need to hear, it’s that animals in our society suffer abuses that we currently accept as normal — the hope is that one day we will all see these practices as barbaric instead of acceptable or necessary. The authors argue that humans are indeed aware, on some level, of these abuses but are not taking steps toward actually preventing them. Most people still eat animals, still visit zoos, still hunt and fish. “We offer lip service to freedom, in talking about ‘cage-free chickens’ and ‘naturalistic zoo enclosures.’ But real freedom for animals is the one value we don’t want to acknowledge, because it would require a deep examination of our own behavior…Many animals live impoverished lives because of our desires or our lack of awareness.”

The Animals’ Agenda shows how, despite studies that prove the intelligence and emotional sensitivity of animals, nothing will change until humans accept this suffering and choose to stop supporting it — by not attending zoos, for example, or by not eating or wearing animal products. They compare the reality of standard, accepted animal suffering to Al Gore’s An Inconvenient Truth: “The truth of animal feelings is similarly inconvenient, in that it challenges our highly profitable animal industries and our personal habits.”

The book is organized in sections that tackle the ways in which animals are at the mercy of humans, including farmed animals, animals in labs, pets, and wild animals. Among the most important points the authors make is that so-called improvements in the treatment of animals as a result of animal welfare studies actually do more harm than good because they let people off the hook by allowing them to believe the animals don’t suffer as much as they actually do. One powerful example is in the work of Temple Grandin, who “is hailed as a compassionate helper of animals while at the same time working within a venue in which billions of animals are harmed and killed…she has done more than anyone else to deflect attention from real freedom for animals. Even if a few animals are getting a ‘better life,’ it surely is not a good life.”

And this is the main point of The Animals’ Agenda: that non-human animals deserve the freedoms we human animals enjoy. And yet no non-human species comes even close. Even farmed animals who are fed and housed (allowing people to believe they are “cared for”) have no freedom whatsoever: “They are confined to small cages or crates, or else they are packed into a large space with so many others of their kind that physical movement is highly constrained…They have little to no control over social interactions and attachments.” Most of their diets are so unnatural to them that the animals feel hungry all the time, even when they are fed. And lest you think that “free-range” animals have it better, read on; as the authors show, “Humane is a dirty little lie.” Methods of castration, for example, that are “animal welfare approved” by the United States do not require anesthesia. And readers will be shocked to read of the terrible conditions and abuses that occur at AZA-accredited zoos.

One chapter of the book is devoted to companion animals and points out “how little research has been directed at the welfare of animals kept as pets, either in the home environment or in pet stores and breeding facilities.” Yet instead of focusing on ways to end the breeding and sale of animals, the authors focus on “exploring freedom and preferences in relation to our most common animal companions — dogs and cats” — despite their acknowledgment of the dearth of research. There are many good points in this chapter — the ills of the wholesale pet industry, the lack of knowledge most humans have about the needs of their pets — but by advocating for greater freedoms for companion animals, the authors do a disservice to shelter pets and their humans. While they acknowledge that “as companions of dogs, we can do our best to balance necessary constraints against as full a measure of freedom as possible,” they actually advise against keeping cats indoors (not mentioning exceptions for such circumstances as FIV-positive or declawed cats): “Depending on location, cats may have to contend with busy roads, with predators such as coyotes or cougars, with humans who have bad intentions, and with the possibility of injury or disease. But as with our children, we cannot protect them from all risk…Letting cats outside may be what ethicist Bill Lynn calls ‘a sad good,’ a good that involves an element of moral risk and harm.”

The fact that this book advocates so strongly for animals in other ways makes this chapter on pets a liability, as it risks derailing the book’s entire message: If readers think it’s okay to allow their cats to face injury, disease, and death from traffic or predators, why should they attempt to avoid causing such harm when it comes to farmed animals or captive animals in zoos? Many animal-rights activists would agree that keeping pets is something that humans should eventually give up — but until every last animal shelter is empty, these animals need to be adopted, loved, and protected. Companion animals deserve freedom the same way dairy cows do, but whereas the life of a dairy cow is a daily torture, most pets are not being tortured simply by being kept inside homes or behind fences for their own safety. Even a free dairy cow would presumably fenced in at a sanctuary, not left out on her own. It’s this chapter, in an otherwise stellar book, that may make it hard for non-activists to embrace the idea of animal freedom.

The Animals’ Agenda goes on to note the ways in which even wild animals, on both land and in oceans, suffer due to our influence — from habitat loss to our noise to our trash — and that even conservation work, such as capturing and tagging animals, has its own negative effects. Education is key here, and the authors’ message is clear: “a great number of things we currently do to animals are simply wrong and need to stop: the unnecessary slaughter of animals for food and fur, the use of animals in invasive research, the confinement of animals for human entertainment, and our excessive encroachment on wildlife.”

While Bekoff and Pierce detail the good science that is happening regarding animal welfare, they also note that we must “close the knowledge-translation gap”; in the end, much of this knowledge primarily serves the industries that abuse animals. For things to improve, for us to put “what we know about animals into the service of animals themselves,” it will take nothing less than a compassionate society to adopt a mindset of true animal freedom. A very good first step toward that is reading this book.

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Happy Earth Day

It’s been nearly 40 years since the first Earth Day, and unfortunately we’ve recently taken a lot more steps backward than forward.

Still, we humans have taken a lot of great steps forward since the 1970s. There’s a lot to celebrate about our planet, and so many ways to help it survive and thrive. We founded Ashland Creek Press to raise environmental awareness through literature … this combines two of our passions: stories and taking care of our planet. There are myriad ways to help out the planet, and to make every day Earth Day in your own life.

  • Immerse yourself in environmental literature! We love books like Barbara Kingsolver’s Flight Behavior and Karen Joy Fowler’s We Are All Completely Beside Ourselves and Ann Pancake’s Strange As This Weather Has Been — each is a stunning work of eco-lit, each in such a different way. Naturally, we also love every one of our Ashland Creek Press titles, from eco-fiction to veg lit to books about animals.
  • Watch movies. A few environmental films that are interesting, important, and well worth watching: Earthlings, Cowspiracy, What the Health, Forks Over Knives, If a Tree Falls, An Inconvenient Truth and An Inconvenient Sequel … the list goes on, but this is a great start.
  • Take action. Clean up a beach or a park; step up your recycling; plant a new tree, bike or walk instead of driving; eat vegan for a month (or more) … there are so many small changes we can make that become regular habits and definitely make a difference.
  • Get political. Of course, don’t neglect to vote for candidates that believe in climate change and want to do something about it — but you can also write letters, sign petitions, march, and otherwise make your opinions known…every voice does matter.
  • Get kids involved. It’s clear that today’s young people are the ones who are going to change the world, and they’re realizing they need to do this for their own survival. Help them out, whether it’s by giving them books about environmental issues, spending time with them outside, volunteering with a nonprofit to clean a beach or maintain a hiking trail, or taking them to an animal sanctuary. Show them what’s at stake being out in nature.
  • Support organizations that do good work. From conservation to animal rescue to protecting the oceans, there are a lot of great organizations that need support to do what they do. Be sure to investigate nonprofits carefully to be sure your money is used wisely and that the organization is truly environmental (you might watch Cowspiracy before making donations). Here are a few organizations we feel are worthy of our support via the Ashland Creek Press Foundation.

We wish you all a very happy Earth Day, and here’s to much more progress to celebrate in years to come!

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Opportunity for Writers: Art after Nature from The University of Minnesota Press

I’ve long been a fan of Antennae, a literary/artistic journal created and curated by Giovanni Aloi.

So I was thrilled to see that the University of Minnesota Press is partnering with Giovanni and Caroline Piccard on a new book series titled Art after Nature.

Here’s their vision for the series:

Art after Nature maps new aesthetic territories defined by the humanities’ recent ontological turn. In the face of the unprecedented shifts in humanity’s conceived relationship with the natural world, modes of critical and political artistic engagement are adapting in response. As notions of pristine sublimity crumble, Art after Nature proposes to explore the consequences of this transition, further destabilizing anthropocentrism, and revealing the dark ecological fluidity of naturecultures. The urgency imposed by anthropogenic lenses of inquiry provides an ethical focus capable of applying productive pressure on practices and discourses alike. Within this framework, art theory, practice, and criticism become intersecting platforms upon which to map current philosophical waves. Books published in this series engage with the politics and contradictions of the Anthropocene as a concept in order to problematize recent and influential philosophical waves like animal studies, posthumanism, and speculative realism in relation to art writing and art making. 

More info

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The best environmental books we’ve read in 2017

It’s that time of year again, a time to reflect on the books that have left their mark on us.

Books that will, over time and with luck, leave their mark on society as well.

I polled our contributors to see what books they’ll remember best from 2017. And here we have it — a selection of children’s books and adult fiction and nonfiction — some of which we’ve reviewed and some of which we hope to still.

A word of thanks — to our contributors, for reading and reviewing books that make a difference; to the authors of these books that inspire us to make the world a better place; and to the readers who make what we do worthwhile.

See you in 2018…

 

Anna Monders

Me and Marvin Gardens by Amy Sarig King. 2017.

Obe Devlin is a sixth grader who loves being out in the woods, identifying animal tracks, and cleaning up the creek. But housing developments are going in where there used to be fields and trees. When Obe discovers a new animal by the creek—one that eats only plastic—he wants to keep it safe from the new neighbors and his former-best-friend-turned-bully. (Middle-grade fiction)

Moto and Me: My Year as a Wildcat’s Foster Mom by Suzi Eszterhas. 2017.

Author and wildlife photographer Suzi Eszterhas spent three years living on the Masai Mara wildlife reserve in Kenya. While there, she was foster mom for an orphaned serval kitten, raising him until he could survive on his own in the wild. Splendid photographs and good conservation information. (Nonfiction, grades 2-5.)

Lesser Spotted Animals: The Coolest Creatures You’ve Never Heard Of by Martin Brown. 2017.

This is not an animal book about elephants, tigers, giraffes, or pandas. Instead, readers are introduced to zorillas (stinkier than skunks), banded linsangs (slinky like snakes), sand cats (cats that like…sand), and gaurs (twice the size of an average cow), among others. An unusual—and funny—biodiversity book with great illustrations. (Nonfiction, grades 2-5.)

 

Midge Raymond 

What a Fish Knows: The Inner Lives of Our Underwater Cousins by Jonathan Balcombe

It’s difficult to think of a title more important to the oceans—and therefore to the earth’s entire ecosystem—than Jonathan Balcombe’s New York Times bestseller What a Fish Knows. Not only does Balcombe introduce us to the fascinating, complex lives of these sentient creatures, he shows us how devastatingly we are treating them, to the point of endangerment and extinction. Each section in this book is more interesting and engaging than the last, with information on the habits, abilities, and perceptions of many of the 30,000 species of fishes in our waters. What a Fish Knows is a powerful, accessible book that will ensure that we never look at a fish the same way again.

 

Jacki Skole

What It’s Like to Be a Dog: And Other Adventures in Animal Neuroscience by Gregory Berns
At the heart of neuroscientist Gregory Berns’ newest book is this question: Do animals experience emotions like people do? The answer, garnered through ground-breaking studies of the brains of domestic and wild animals, should fundamentally reshape how we think about—and treat—animals.

South Pole Station by Ashley Shelby
If you felt like your life was breaking apart, where would you go to try to put it back together?
If you’re thirty-year-old Cooper Gosling, you’d go to the South Pole. For a year. Gosling is the central character in this wry, compelling story of relationships, art, science, climate change, and life at the bottom of the earth.

 

John Yunker

Other Minds: The Octopus, the Sea, and the Deep Origins of Consciousness by Peter Godfrey-Smith

Peter Godfrey-Smith has a passion for cephalopods, And by the end of this book I suspect most readers will as well.

The Dig Tree: A True Story of Bravery, Insanity, and the Race to Discover Australia’s Wild Frontier by Sarah Murgatroyd

The tragic true story of early Australian hubris and the outback. Spoiler alert: The outback wins.

 

 

Center for Humans and Nature

Best Books of 2017

Wildness: Relations of People and Place coedited by Gavin Van Horn and John Hausdoerffer, University of Chicago Press

Published in association with the Center for Humans and Nature, this collection of essays explores how people can become attuned to the wild community of life and also contribute to the well-being of the wild places in which we live, work, and play. With this book, we gain insight into what wildness is and could be, as well as how it might be recovered in our lives—and with it, how we might unearth a more profound, wilder understanding of what it means to be human.

The Driftless Reader coedited by Curt Meine and Keefe Keeley, University of Wisconsin Press

The Driftless Reader gathers writings, paintings, photographs, and maps that highlight the unique natural and cultural history, landscape, and literature of the Driftless Area—a region that encompasses southwestern Wisconsin and adjacent Minnesota, Iowa, and Illinois. Through texts by Black Hawk, Mark Twain, Laura Ingalls Wilder, Frank Lloyd Wright, Aldo Leopold, and many others, the book reveals the transformative power of the land and its capacity to make our lives more meaningful.

The Nature Fix: Why Nature Makes Us Happier, Healthier, and More Creative by Florence Williams, W.W. Norton & Company

For centuries, poets and philosophers extolled the benefits of a walk in the woods. Intrigued by our storied renewal in the natural world, Florence Williams sets out to uncover the science behind nature’s positive effects on the brain. Delving into new research, she uncovers the powers of the natural world to improve health, promote reflection and innovation, and ultimately strengthen our relationships.

Henry David Thoreau:  A Life by Laura Dassow Walls, University of Chicago Press

Thoreau has long needed a fresh portrait that looks beyond both mythology and simplistic myth-bashing and recontextualizes him for our time.  Walls, a former fellow at the Center for Humans and Nature and one of our finest interdisciplinary scholars, provides it in this meticulously researched biography.

Cool Cities: Urban Sovereignty and the Fix for Global Warming by Benjamin R. Barber, Yale University Press

A follow-up to his earlier book, If Mayors Ruled the World, Barber’s proposals for transnational governance of climate change have taken on a new importance and urgency now that the American national government is under the control of Donald Trump and a Republican Congress. Responsible action now falls to other levels of government and to the private sector. Acting in concert, cities can have global leverage.

Facing the Planetary: Entangled Humanism and the Politics of Swarming by William E. Connolly, Duke University Press

A wide-ranging discussion of advanced thinking in ontology, ecology, evolutionary theory, and more by a noted political theorist. What Blake referred to as “Newton’s sleep” is over. Connolly is a demanding but rewarding guide to the new age.

Defiant Earth: The Fate of Humans in the Anthropocene by Clive Hamilton, Polity Press

Vintage Hamilton. Trenchant, widely-informed, unconcerned about stepping on toes. This book shows the danger of interpreting the Human Epoch once more in anthropocentric terms.

Water: Abundance, Scarcity, and Security in the Age of Humanity by Jeremy J. Schmidt, New York University Press

An original and sophisticated study of how thinking about water as a resource to be managed was constructed by the disciplines of geology and anthropology beginning in the nineteenth century. His critique offers a new philosophy of water and a rich way of understanding the formation of knowledge-systems more generally as well.

Arts of Living on A Damaged Planet: Ghosts and Monsters of the Anthropocene coedited by Anna Lowenhaupt Tsing, Nils Bubandt, Elaine Gan, University of Minnesota Press

There are many ways to read this graphically and intellectually innovative book. It offers creative tools for living in a more-than-human Anthropocene. One half is devoted to landscapes injured by humans in the modern age—Ghosts of the Anthropocene. One half is devoted to essays on interspecies and intraspecies entanglements—Monsters of the Anthropocene.

 

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Submission window is now open for the 4th annual Siskiyou Prize for New Environmental Literature

Now in its fourth year, The Siskiyou Prize for New Environmental Literature is now open for submissions of published and unpublished manuscripts, including novels, memoirs, short story collections, and essay collections..

The 2017 prize will be judged by New York Times bestselling author Jonathan Balcombe.

The winner will receive a cash award of $1,000 and a four-week residency at PLAYA. The submission deadline is September 30, 2014. For complete writers’ guidelines, click here. All unpublished manuscripts entered for the Siskiyou Prize will be considered for publication.

New environmental literature” refers to literary works that focus on the environment, animal protection, ecology, and wildlife. The prize seeks work that redefines our notions of environmentalism and sustainability, particularly when it comes to animal protection. The award isn’t for books about hunting, fishing, or eating animals—unless they are analogous to a good anti-war novel being all about war. Under these basic guidelines, however, the prize will be open to a wide range of fiction and nonfiction with environmental and animal themes.

The Siskiyou Prize is named for the Klamath-Siskiyou region of northern California and southern Oregon, one of the most diverse eco-regions in the world. Considered a global center of biodiversity, the Klamath-Siskiyou region is an inspiring example of the importance of preservation.

For more information, click here, or visit the Ashland Creek Press submissions page.

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Cold Mountain Review: Special Issue on Extinction

Literary journal Cold Mountain Review is currently taking submissions for its Fall 2017 special issue devoted to extinction:

As species decline globally at an accelerating rate, greater than at any time in the past 65 million years, we invite submissions that give voice to endangered and vanishing creatures, cultures, and tongues; re/imagine and express creaturely relationships on the brink, including the human and more-than-human; imagine ourselves ceasing as a species; and encounter and name the political, economic, and cultural forces driving this human-induced extinction event.

http://coldmountainreview.org/special-issue-extinction/

 

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Our 2017 Siskiyou Prize judge is Jonathan Balcombe

We are thrilled to announce that our 2017 Siskiyou Prize judge is Jonathan Balcombe.

Jonathan’s most recent book is the New York Times bestseller What a Fish Knows: The Inner Lives of our Underwater Cousins, an extraordinary journey underwater that reveals the vast capabilities of fishes. He is also the author of the books The Exultant Ark, Second Nature, Pleasurable Kingdom, and The Use of Animals in Higher Education.

Jonathan has three biology degrees, including a PhD in ethology (the study of animal behavior) from the University of Tennessee, and has published more than 50 scientific papers on animal behavior and animal protection. Formerly department chair for Animal Studies with the Humane Society University and senior research scientist with the Physicians Committee for Responsible Medicine, Jonathan is currently Director of Animal Sentience with the Humane Society Institute for Science and Policy in Washington, DC. Learn more at jonathan-balcombe.com.

This year marks our fourth annual Siskiyou Prize, and we are delighted to be offering a $1,000 prize and a four-week writing residency thanks to the generosity of our amazing prize partner PLAYA. All manuscripts submitted for the prize will be considered for publication by Ashland Creek Press.

Please visit the Siskiyou Prize website for complete details about the prize — submissions open September 1, 2017. We look forward to reading your work!

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ASLE announces 2017 book award finalists

The Association for the Study of Literature and Environment has announced the finalists for their bi-annual book awards. The ASLE book awards “in the areas of ecocriticism and environmental creative writing recognize excellence in the field.”

 

Creative Award Finalists

The judges were Emily McGiffin, the winner of the ASLE Creative Writing Award in 2015, who lives in Vancouver, BC; Rich King, a finalist for the 2015 Creative Writing Award, a research associate with The Maritime Studies Program of Williams College and Mystic Seaport; and Tom Hallock, who teaches in the Visual & Verbal Arts Department at the University of South Florida-St. Petersburg.

Branch, Michael P.  Raising Wild:  Dispatches from a Home in the Wilderness.  Boulder:  Roost, 2016.

“A beautifully-written collection of essays that splices memoir with natural history as it carries us deep into the unsung terrain of domesticity in the wilderness. Michael Branch is keenly observant and unfailingly witty as he schools us in the natural wonders of his home.”

 

 

Hanson, Chad.  This Human Shape.  Northfield, MN:  Red Dragonfly, 2016.

“A beautifully-written collection of essays that splices memoir with natural history as it carries us deep into the unsung terrain of domesticity in the wilderness. Michael Branch is keenly observant and unfailingly witty as he schools us in the natural wonders of his home.”

 

 

Moore, Kathleen Dean.  Piano Tide:  A Novel.  Berkeley:  Counterpoint, 2016

“A beautiful, unique, and suspenseful novel. Kathleen Dean Moore has somehow channeled the ecology and humanity of E. Annie Proulx’s Shipping News and John Steinbeck’s Cannery Row into Good River Harbor, an imaginary town in Southeast Alaska. Even while focusing on the details and spinning a page-turner, Moore encompasses most of the major issues of the twenty-first century in the Pacific Northwest: salmon, water, tourism, jobs, global warming, wilderness, and the lives and legacy of First Peoples. Howard, her straight man caught in the middle, begins to think the same as Nora, the eco-activist: Imagine how you can live in a place without wrecking it.”

Raymond, Midge.  My Last Continent: A Novel. New York:  Scribner, 2016.

My Last Continent is a love story. Raymond teaches us how and why to love Antarctica. She lures us into loving her nuanced protagonist, a field ornithologist named Deb Gardner. And Raymond shows us how and why to love all the other scientists and romantics who spend part of each year at the bottom of the world:” those who have run out of places to go, and those who have run out of places to hide.” Can a drama of romance and shipwreck and penguins also have something to say about ecotourism and climate change? Yes. My Last Continent is what happens when a nature writer crafts an event like the Titanic.”

(Midge Raymond is an EcoLit Books contributor!)


Savoy, Lauret Edith.  Trace:  Memory, History, Race, and the American Landscape. Berkeley:  Counterpoint, 2015.

“Well researched, timely, gracefully written; particularly intriguing on the connections between landscape, memory and race.”

 

 

 

Sutherland, Kate.  How to Draw a Rhinoceros:  Poems by Kate Sutherland.  N. p.:  Book Thug, 2016.

“Surprisingly insightful in its contemporary adaptations of earlier natural history traditions.”

 

 

 

 

Tevis, Joni.  The World Is on Fire:  Scrap, Treasure, and Songs of Apocalypse.  Minneapolis, MN:  Milkweed, 2015.

“Some of the most explosive prose I’ve read in some time. Unsettling.”

 

Ecocriticism Book Award Finalists

The judges were Nicole Seymour, winner of the the winner of the ASLE Ecocritical Book Award in 2015, Tom Lynch, founding coordinator of the ASLE Book Awards and editor of the journal Western American Literature, and Molly Westling, Professor Emerita at the University of Oregon and author of The Green Breast of the New World: Landscape, Gender and American Fiction.


Stacy Alaimo, Exposed: Environmental Politics and Pleasures (University of Minnesota Press, 2016)

“This book is a rich, very original extension of Alaimo’s influential concept of “transcorporeality” from her previous scholarship. Exposed explores the radical ways such a perspective erases illusions of human separateness from the rest of the living world, thus leaving Cartesian objectivism far behind. With ingenuity and nuance, Alaimo here applies queer theory, marine biology, feminist posthumanism, and exciting aesthetic analysis to insist on human embeddedness in the deep material reality of earth and especially sea on the one planet where we belong and whose climates are rapidly, dangerously changing.”

 

Derek Gladwin, Contentious Terrains: Boglands, Ireland, Postcolonial Gothic (Cork University Press, 2016)

“An original, richly theorized examination of the deep landscape histories embodied in Northern European boglands, especially in Ireland, and literary treatments of their meanings by writers from Bram Stoker, Frank O’Connor, Sean O’Faolain and Nobel Laureate Seamus Heaney to more recent poets and playwrights and remarkable geocultural nonfiction writer Tim Robinson. Gladwin as a Canadian ecocritic brings fresh postcolonial approaches to consider these shifting spaces that are part water, part earth and that have moved and changed in radical ways over geological time and more recently through empires from Celtic and Roman to Viking and Anglo powers.”

 

Ursula Heise, Imagining Extinction: The Cultural Meanings of Endangered Species (University of Chicago Press, 2016).

“Heise brings her formidable analytical skills and erudition to an analysis of how we think about and respond to one of the main aspects of the Anthropocene, extinction. Makes a strong case for the importance of the humanities in how we understand what is often considered to be a purely scientific problem. Well written, this will be a key text in the field for years to come.”

 

Erin James, The Storyworld Accord: Econarratology and Postcolonial Narratives (University of Nebraska Press, 2016).

“James adeptly combines three fields often seen as distinct: ecocriticism, narrative studies, and postcolonial studies. Of special note is how the book uses narrative theory, supplemented by cognitive neurobiology, to explain how readers come to inhabit the world of stories, helping us to move beyond the poorly theorized “mimesis” conundrum that has bedeviled ecocriticism. Surprising and innovative insights on every page.”

 

Jesse Oak Taylor, The Sky of Our Manufacture: The London Fog in British Fiction from Dickens to Woolf. (University of Virginia Press, 2016).

“This book fills a significant gap in terms of ecocritical work on both Victorian studies and modernism. Indeed, Taylor makes a persuasive case for literature of that period as Anthropocene literature – and, in so doing, offers a stronger account of the notion of Anthropocene literature than I’ve seen elsewhere. This book seems as important to ecocriticism/environmental humanities as it does to studies in the novel, modernism, Dickens studies, etc. – which I think is quite a feat. It’s also elegantly written and displays highly original thinking.”

Priscilla Solis Ybarra, Writing the Goodlife: Mexican American Literature and the Environment. (University of Arizona Press, 2016).

“This book also fills a significant gap — in this case, when it comes to coverage of Latinx/Chicanx literature and culture. I believe it’s the first book-length ecocritical study of Mexican-American literature. While groundbreaking in these ways, the book also provides a nice complement to extant work on African-American, queer, and other minority traditions of eco-engagement. It makes a bold, counterintuitive but ultimately crucial case against terms such as “environment” and “environmentalism,” showing how they are coded in racially exclusive ways. I also appreciate how the preface models the importance of the personal in the scholarly.”

 

Winners will be announced in June.

ASLE