The Waterston Desert Writing Prize 2019 is now open for submissions. Applicants must submit online via Submittable through April 1, 2019. The Prize honors creative nonfiction that illustrates artistic excellence, sensitivity to place, and desert literacy, with the desert as both subject and setting. Inspired by author and poet Ellen Waterston’s love of the high desert of Central Oregon, a region that has been her muse for over 30 years, the Prize recognizes the vital role deserts play worldwide in the ecosystem and the human narrative. Submission guidelines and a link to submit are available at www.waterstondesertwritingprize.org.
The Prize winner will receive a $2,500 cash award, a reading and reception at the High Desert Museum in Bend, Oregon, and a four-week residency at PLAYA at Summer Lake, Oregon.
Patty Limerick to Serve as Guest Judge
The prize is funded from an endowment managed by the Oregon Community Foundation, with the impetus for the creation of the endowment provided by actor Sam Waterston, after whom the prize is named.
We’re so glad that the number of both readers and reviewers of EcoLit Books have grown enough to now have an annual tradition of celebrating our favorite books of the year.
And this is indeed something to celebrate because there were some amazing environmental and animal-themed books published over the past year, and these aren’t necessarily the books you’ll see on more mainstream “best of the year” lists.
But these books are, in our humble opinion, some of the more important books of the year. Tackling topics that range from rethinking farming practices to how to coexist with wildlife in urban areas to our evolving relationship with the land and its many creatures.
I hope you enjoy the list. Thanks so much to our readers — and especially our contributors — for making EcoLit Books an online hub for eco-literature. Here’s to another year of reading like you give a damn.
American Wolf: A True Story of Survival and Obsession in the West by Nate Blakeslee is a riveting account of the life and untimely death of O-Six, Yellowstone’s most famous wolf. It is also the story of humanity’s timeless attempt to bend nature to its will, no matter the cost.
Rising by Elizabeth Rush takes readers on a graphic tour of U.S. coastal communities grappling with the devastating effects of climate change. From Maine to Miami, the Gulf Coast to the Bay Area, Rush reveals how lives, livelihoods, and entire ecosystems are undergoing irrevocable changes that are destined to leave many of these communities uninhabitable. It is not an uplifting read, but it is an important one.
While the notion of “cultured meat” or “lab-grown” meat may sound odd to many, Paul Shapiro’s book makes the case for why this new industry is among our best hopes for, quite literally, saving the world….Clean Meat should be read by anyone who cares about the planet, but most of all by those who currently eat and wear animals the way these products are made today. This book provides a detailed, well-rounded examination of a new industry that highlights the challenges — and the incredible possibilities — of feeding and clothing us all in an increasingly populated and demanding world.
Reflecting on the environmental books I’ve read this year, two really stand out to me. My first recommendation is a children’s book I read this summer for 8-11 year olds called Poacher Panic by Jan Burchett and Sara Vogler, illustrated by Diane Le Feyer.
This book focuses on the rescue of a wild tiger in Sumatra and her two cubs that are set to be taken by poachers once the cubs are old enough to leave their mom. Ben and Zoey work to track down the tigers, while they try to figure out who the poachers are, so they can rescue the tigers before the poachers get to them first. Their research also teaches them about the trafficking of wildlife and animals parts. The book is written at an appropriate level for children. It is also the first book in the Wild Rescue series, so there are more books focused on other species and wildlife issues around the world to choose from if your child likes this one.
Clearly I have a passion for big cats. As a conservation biologist I knew trophy hunting had devastating effects on lion prides in Africa. This book explained the nature of lion prides and the impact of losing males over and over again, leading to decreasing pride sizes. I also was not aware of the extent of government involvement in trophy hunting and the impact this can have on a researcher trying to save the lions they are using to make money. It was a very interesting and informative read for me.
Thanks to DNA, we now know that Australia is the wellspring of the planet’s songbirds. And it wasn’t until the second half of the last century that Australians themselves began to appreciate that songbirds evolved in their backyards. And it’s not only songbirds that Australia gave the word but parrots.
When we started EcoLit Books five years ago, this was the type of book I had in mind. A novel that places nature in its proper place in relation to people. That is, above us — in this case, both figuratively and literally. In The Overstory, Richard Powers has crafted an epic novel that stretches hundreds of years, culminating in a series of life-and-death environmental battles. But even more so, this is a novel about rediscovering the largest and oldest living creatures on our planet.
Here’s an exciting new call for submissions from the UiO (University of Oslo) Department of Sociology and Human Geography:
Attention writers and humanities researchers: this is a call for narratives that bring us closer to the potentiality of the present and activate “the politics of the possible” in our changing climate. Twelve stories will be selected for publication in the Our Entangled Future anthology. We welcome your words, your “new ontological metaphors”, your not-yet-here imagined realities.
The three most compelling stories about quantum social change will receive awards of EUR 1000, EUR 750, and EUR 500. The most promising stories will be edited by renowned author, editor, and writing teacher Jordan E. Rosenfeld (http://jordanrosenfeld.net/about/).
Reviewed by James Ballowe, Distinguished Professor English Emeritus from Bradley University
In his “Prologue” to The Way of Coyote, Gavin Van Horn, Director of Cultures of Conservation at the Center for Humans and Nature, leaves no doubt as to what his book is about. Before coming to Chicago, his “Plan A” was to inhabit a cabin with his family far from an urban area. But he found himself in a decidedly urban environment.
In this biographical journey, he reveals how he adapted with the help of one non-human animal known as a great adapter: the coyote. This book is both his and Coyote’s journey. Along the way,Van Horn also enlists the wisdom of Lao Tzu and Aldo Leopold as he meanders the pathways of the city. The Way of Coyote is in part philosophical meditation and in part a word artist’s close observation of the natural world within the city. As Van Horn says, “These are the stories of my own adaptation to the city, the adaptation of other animals to the city, and how we might better adapt our cities to the larger landscapes on which they depend.”
Following this promise, he begins
the book with a deceptively beguiling tale featuring the character Coyote
playing dice with his friends Badger and Wolf. The game ends abruptly when the
dice encounter a concrete roadway that Wolf and Badger fear walking on. But
Coyote, the great adapter and trickster, jumps playfully onto the surface,
gathers up the dice, and coolly walks away. The tale is deceptive, like the
coyote, because this story resembling a bedtime story for adults is Van Horn’s
way of introducing the reader to his admirably adaptive central character. The
story also sets the style of the book, a delightful lyrical prose that beckons
the reader to follow along with Van Horn on his personal journey, accompanied
by non-human animals and even insects. The journey takes the reader into the
wilds of one of this country’s most populous cities into which non-human beings
are beginning to feel less and less threatened by or threatening to greater
numbers of humans.
Van Horn invites the reader to walk with him throughout Chicago’s many pathways and to ply with him its waterways. The city “bleeds out” into majestic Lake Michigan to the east and into flatlands to the south and west beyond its suburban communities. Two hundred years ago, Van Horn reminds us, this was wilderness where non-human animals thrived. Their abundance brought the hunter and the pioneer who slowly diminished their numbers and their habitats by building their own city, thus making subservient the water and land to their own use and convenience. Even so, through the insight of a few city planners and architects such as Daniel Burnham, large swatches of natural land were preserved and a long process of non-human animal inhabitation has followed. Now, as Van Horn suggests throughout this book, a multitude of non-human beings is once again inhabiting this city and other urban areas throughout the country. The coyote is no longer simply an evanescent being unlikely to be encountered by a city dweller. The urban adapter now walks pathways within neighborhoods, created by prescient city planners who know the value of balance within the natural world.
Van Horn plies Chicago’s rivers and walks Chicago’s lakefront, parklands, trails (both completed and in progress), and garden corridors planted by those citizens who understand the value of green spaces for the health of human animals and non-human animals alike, right down to bees and butterflies. Creating an environment to promote interconnectedness within the magnificent architectural constructions of Chicago is an ever-present theme in Van Horn’s narrative. The city, of course, is not Leopold’s sanctuary within a wooded area, brought back to life and for whom the grouse’s call is the noumenon, or in Van Horn’s words, “the mysterious essence” of place. Interestingly, Van Horn chooses as the noumenon of Chicago not the coyote or peregrine falcon, both returning to the city in numbers, but another recent city dweller: the black-crowned night heron, or Nycticorax nycticorax, inhabiting trees in Lincoln Park, as though to greet their cloistered cousins living at the Lincoln Park Zoo. For Van Horn, it is the heron’s red eye, “a ruby supernova that deepens to a black-hole center,” that pulls you in. “This red eye fixes you in its gaze, letting you know that you are part of the heron’s passing world, not he of yours. Black-crowned will do, it is evocative as species names go, but better would be the red-eyed night heron.” The black-crowned night heron, he concludes, “carries the juxtapositions of the landscape in his body, reclaiming the fruits of modern engineering with a premodern disposition. He is the noumenon, the will and self-expression of the land, the mysterious essence of this place.”
Van Horn’s journey leads him
eventually to a meditation on Aldo Leopold’s “land ethic,” which Leopold
defines in this way: “A thing is right when it tends to preserve the integrity,
stability, and beauty of the biotic community. Wrong when it tends otherwise.” And
that well-known thought of Leopold’s that has governed many conservationists
and environmentalists over the past three quarters of a century brings Van Horn
to contemplating an “urban land ethic,” one that will engender this: “New
patterns of thought about the purpose and possibilities of a city [that] can
create new corridors of life in the urban landscape. Imaginative leaps across
neural bridges may build the bridges between our lives and those of other creatures,
and may compel us to demand corridors that repair the frayed weave of life
giving pathways throughout. Rewilding the mind can rewild our cities.” It is
right that his final chapter before his last words in the “Epilogue: Postscript
to Hope” is titled “Mindways.” His book, after all is a mind journey inspired
by the way of the coyote, trickster and capable thinker who has learned to
adapt in the wilds of human constructions.
In the “Epilogue,” Van Horn talks to his three meditative and real companions throughout the book. It is one more beguiling story. Coyote and Leopold begin a walk through the city and eventually come upon Lao Tzu who is cooking a fish that Coyote would like to eat. He does so after practicing a little trickery on the ancient philosopher. Coyote’s abrupt but good-natured departure into the woods is preceded by this declaration: “I know this! You can build, or not, with minds turned toward your animal-kin in the city—I know this! You can create new paths and not destroy the old ones—I know this!” And then Lao Tzu whispers as Coyote disappears and he and Van Horn walk back toward the well-lit city, “Follow your path to the end….Accept difficulty as an opportunity….This is the sure way to end up with no difficulties at all.”
It is difficult to predict a
classic. But certainly Van Horn’s book will be read by new generations of those
gaining an appreciation of urban wildlife and, indeed, an ethical concern for
all living things. While Van Horn relies upon many historical sources, he capsulizes
an argument in this journey, this way of the Coyote, that cannot be ignored nor
easily forgotten. I expect it will become a classroom staple at the very least,
and an exemplary model of nature writing and a thought-provoking discussion of
how we might achieve what to some may now seem impossible.
As a former volunteer for Dee Boersma at the Punta Tombo Magellanic colony in Argentina, I was especially eager to read Eric Wagner’s Penguins in the Desert, in which he recounts the six months he and his wife, El, spent among the penguins in 2008. Two years earlier, my husband, John Yunker, and I spent a week at Punta Tombo, and we walked through many of the same places, counted many of the same penguins, got to know the colony’s beloved Turbo, and probably stayed in the same trailer Wagner and his wife shared two years later.
Yet Wagner’s six months at the colony was an enviably and admirably longer period of time during which he and El, too, spent fourteen-hour days in the field and got early morning wake-up calls from the penguin living under the trailer. Wagner’s description — “At times, he sounded like he was directly under my pillow, his bill aimed at my ear” — was not only spot-on but brought me back to this magical and complicated place.
I was also eager to read a nonfiction account of a volunteer’s time at Punta Tombo — as fiction writers, both John’s and my experiences eventually ended up being parts of novels, The Tourist Trail and My Last Continent, respectively — and I very much enjoyed revisiting the place and the experience through Wagner’s nonfiction lens. Yet this isn’t a book solely for those familiar with this part of the world; it will appeal to a range of readers, from travelers to penguin lovers to anyone interested in conservation.
Dee Boersma, who holds the Wadsworth Endowed Chair in Conservation Science at the University of Washington and is founder and director of the Center for Ecosystem Sentinels, is arguably the best-known penguin expert in the world, her name as synonymous with penguins as Jane Goodall’s is with chimpanzees. Boersma has studied the penguins at Punta Tombo for thirty-five years, and her passion, tenacity, and vast experience come through in these pages. As Wagner writes early in the book, “Her [UW] lectures were memorable for the energetic brazenness with which she could hold forth on the way things ought to be. It was inconsistent with the objectivity I thought the dictum of science, but Dee was unapologetic … ‘You can’t listen to everything I’m telling you and not feel anything,’ she had said.”
This is one Boersma’s many gifts: translating science — and especially the precarious lives of penguins — in ways that all of us can relate to. As Wagner notes, Boersma once described penguins this way in an interview: “These birds are curious. They walk upright. They dress well. They’re highly social. They know their neighbors.”
Getting to know the penguins of Punta Tombo makes it all the more difficult to learn that this colony has declined in population by more than 40 percent and is no longer the largest Magellanic colony in the world. Wagner details the birds’ challenges in ways that are highly personal — and this is a huge strength of the book. Like Boersma, Wagner makes it impossible not to fall in love with these birds, and to care about their fate in an uncertain world.
As Wagner notes in the prologue, most people think of penguins and “see a cathedral of ice and snow … a forbidding landscape thousands of miles from anywhere.” Penguins in the Desert focuses on those who live among “sand and dust and dirt … blazing heat … a couple of hours from a city, eminently reachable on any old summer afternoon.” And while John and I merely counted penguins as volunteers, and helped measure and weigh a few, Wagner and his wife did all of this and much more, including tagging them and even performing a necropsy. They witnessed a lot more as well: They saw chicks grow up and fledge; they observed one penguin couple adopt another’s egg and raise the chick as their own; and, sadly, they encountered a great many dead chicks (on average, about 40 percent of chicks starve to death; some years it can be as many as 85 percent).
While 40 percent is a staggering statistic, it is still a number, and though Wagner has a scientific background, it is his non-scientific details that are most affecting. “We soon can tell which chicks are not long for this earth … The ones that gain almost no weight between our visits, or even lose a few grams. The ones that beg in raspy, thin voices, while their parent can do little … The ones whose feet become shriveled and translucent, the ones whose thin bones we can feel through the sagging skin of their chests. The ones who lie quietly in the dust, breathing shallowly, waiting for the end.”
Perhaps most engaging of all are Wagner’s descriptions of the birds that can only come from the firsthand contact that researchers must endure. “ … as I wrestle [the penguin] into submission, I realize there are certain things you cannot know about the Magellanic penguin, cannot understand, unless you are trying to restrain one between your thighs…For example: A penguin’s chest all but bursts with thick slabs of muscle, and the flippers … are solid bone. His bill, which is clacking away perilously close to my fingers, is heavy, black, ridged, and very sharp…The red of his eyes, too, can look surprisingly demonic.” Accompanying the text are thirty black-and-white photos, including one of Wagner’s bite-scarred hand.
Despite the many details and stories that bring our empathy to these creatures, the science is not neglected; readers learn about the research being done and what Boersma and her team are learning about penguin behavior — satellite tags, for example, show where penguins forage for food and how far they have to go (from 250 up to 700 miles away from the colony). The bad news is that the farther the penguins have to travel for food, the higher the risk their chicks will starve before they return to feed them. Wagner notes, “If the satellite tags paint a grim picture in some ways, however, then they also point to a way to lessen conflicts between human fishers and penguins, who are often in search of the same species of fish. The more we claim for ourselves, the less we leave for penguins and other seabirds.”
In 2015, a Marine Protected Area was established around the colony, covering thirty-seven miles of coastline and extending three feet into the ocean. It was a victory for the penguins, but “just a postage stamp” of what Boersma and her colleague were hoping for. It’s an example of what conservation can do, and a reminder that it has to begin somewhere and often in baby steps. In the mid-80s, Boersma, along with Argentine students, began to count penguins who were showing up dead on shore due to oil, which causes them to lose their insulation and leads to certain death from hypothermia or starvation because they can’t go to sea to feed. Boersma and her students realized that more than 40,000 penguins were dying each year due to the ballast being released from large ships. Boersma and her students presented their research for years until finally, in 1997, the government of Chubut province moved the shipping lanes farther offshore, out of the penguins’ paths. In the years since, Boersma and her colleagues followed up, counting fewer and fewer oiled birds until one year they found none at all.
Finally, I was thrilled to see so many words devoted to Turbo, famous among Punta Tombo researchers and a little famous to others as well. He inspired the character of Diesel in The Tourist Trail, and Admiral Byrd in My Last Continent — and most readers find it hard to believe that these fictional birds were inspired by a penguin who actually exists. Turbo is an odd penguin who tried to nest under a turbo truck (hence his name) before realizing it didn’t make a good nest — but even though he moved on to nest in bushes like the other penguins, he never found a mate. Instead, he knocks on the door of the researchers’ house with his beak, walks in, and does flipper dances (a courtship ritual) with the humans. He is the rare penguin who not only doesn’t scamper away from humans but who welcomes affection. “It isn’t that he thinks he is a human,” Wagner writes. “Rather, he thinks we are penguins … All the things we wish we could do with all the penguins but do not dare, Turbo lets us do to him. We coo over him and caress the firm pelt of his feathers. We scratch the back of his neck as he closes his eyes in pleasure.”
I’ve been on Dee Boersma’s mailing list for a dozen years now, and the first thing I always look for is news of Turbo. He is now thirteen years old, still a bachelor, and still friendly with all the researchers. (Click here to join the mailing list for updates on Turbo, and to learn more about how you can help penguin conservation.)
Penguins in the Desert may be specific to one species of penguin, but it offers a glimpse into the important work of conservation, with insights that extend beyond this region of Patagonia. It’s also a tribute to Dee Boersma, a pioneer in conservation and penguin studies, and a call to action to protect our oceans before it’s too late to save the creatures who depend on it for survival.