Published in 1969, The Edible Woman is Margaret Atwood’s first novel. As a vegan, I was curious to read this book because it features a protagonist, Marian, who discovers one day that she can no longer eat meat. While at a fancy restaurant with her fiancé… She looked down at her own half-eaten steak and …
Now that so many of us are hibernating these days, there’s more time to write and submit. Such as to this planned anthology… Our project, “And Lately, The Sun”, explores climate solutions in a short story anthology slated for publication in November 2020. We are currently calling for submissions until midnight (GMT) on the 30th …
Last year, we published Three Ways to Disappear, winner of the 2016 Siskiyou Prize for New Environmental Literature (it was also a finalist for the Dzanc Books Disquiet Open Borders Book Prize and the UNO Press Publishing Lab Prize). The novel is a story of sisters but also a story of India, and an endangered species …
When it comes to nonfiction environmental books these days, I feel that we’re reaching “peek dystopia.” Or, at least I hope we are. Because it seems that between books about our warming planet, animal extinction, water shortages and wars, I’m sufficiently enlightened and depressed. What we don’t have enough of these days are hands-on books …
Sponsored by the Imagination and Climate Futures Initiative at Arizona State University, the contest organizers are “looking for short stories that help us imagine how humans can live within Earth’s planetary boundaries—at the individual level, yes, but more importantly at the level of organizations, communities, and societies, and at the level of a global human civilization.” Work will …
Author and EcoLit Books co-founder John Yunker joined guest Joelle Teachey, executive director of Trees Upstate, for a podcast focused on environmental literature. The Afterword is a podcast devoted to the “future of words” and is hosted by Amy Bowling and Holland Webb. You can listen to it here. You can also subscribe via iTunes.
Punt Volat “would like to see more work that does explore environmental issues, animal rights, and other such terrain in the form of fiction, poetry, or another artistic medium, especially if it is a bit more experimental in nature.” They accept submissions in English, Spanish, Catalan, or German. Learn more and submit at www.puntvolatlit.com.
NOTE: I posted this two weeks ago on the ACP blog and realized that EcoLiterarians might find it useful, so here goes… To be a writer is to be vulnerable. We open ourselves up to criticism and rejection (especially rejection). And, sadly, we also open ourselves to predators — mostly the virtual kind, among them …
As in there are now 70 of them. Thanks for everyone who contributed. We actually just received another contribution today so the list will be turning 71 shortly. The next challenge is how best to organize this list. Alpha sorting is a nice start but I’d love to improve upon it. Any suggestions are welcome…
Continuing our series on EcoLit Success Stories, I’m pleased to introduce Marybeth Holleman. Based out of Alaska, she is author of The Heart of the Sound (which was a Siskiyou Prize finalist) and co-author of Among Wolves. Marybeth Holleman is author of The Heart of the Sound: An Alaskan Paradise Found and Nearly Lost, co-author of Among Wolves: Gordon Haber’s …
Located a few hours north and west of us here in Ashland, Oregon, the Sitka Center for Art and Ecology provides educational courses and residencies to artists. And they’re now open for residency applications. Here’s the call: Calling all painters, novelists, climate activists, photographers, biologists, composers, poets, journalists, architects, film makers, performers, inventors, botanists, curators, …
