JoeAnn Hart

JoeAnn Hart writes about the pervasive and widespread effects of the climate crisis on the natural world and the human psyche. Her most recent book, Arroyo Circle, a story of reclamation in a time of loss, was released by Green Writers Press in 2024. Her other books include the prize-winning environmental and animal fiction collection Highwire Act & Other Tales of Survival, the crime memoir Stamford ’76: A True Story of Murder, Corruption, Race, and Feminism in the 1970s, as well as Float, a dark comedy about plastics in the ocean published by Ashland Creek Press, and Addled, a social satire. She is a regular reviewer of climate and animal fiction at EcoLit Books.

Book Review: Trash Animals

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How we live with nature’s filthy, feral, invasive, and unwanted species

Kelsi Nagy and Phillip David Johnson II, editors

University of Minnesota Press, 2013

TrashAnimals

In this collected cross-section of stories and essays about trash animals — the loathed species we deem dirty or dangerous nuisances, such as pigeons and coyotes — the authors differ in subject matter and narrative focus, but they all have one thing in common. They ask that we see these animals in a new light.

Why is that so difficult? Mostly, as the authors argue, because we hate species who survive on our sloth, such as cockroaches and rats, who clean up after us. And we don’t much like animals who invade environments we have created for our own enjoyment, such as Canada Geese on golf courses, or coyotes in suburban yards. They can alter the landscape! They can destroy the land and the water!

What invasive, destructive species does that remind you of?

Unknown

Reading these pieces, I know I am as prejudice or blind as most. In the essay “See Gull,”

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Home Ground, A Guide to the American Landscape

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Edited by Barry Lopez and Debra Gwartney

(Trinity University Press, field edition 2013)

 

home-ground-guide-cover.gif

“What draws our attention?” Barry Lopez asks in his introduction of Home Ground, a surprisingly entertaining guide to the language of the American landscape. Humans are predisposed to pay attention to subtle changes in the natural world, harking back to our hunting/gathering days, when knowing and naming these distinctions helped the tribe find dinner, or discourage the setting up of camp on shifting sands. Lopez and Gwartney commissioned a tribe of writers to gather up the words and define them through the lens of the humanities. The evocative phrase angle of repose

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Writing Wild

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Writing Wild Forming a Creative Partnership With Nature By Tina Welling New World Library, 2014   My favorite quote from Writing Wild is one Tina Welling borrows from Jesus, of …

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The Human Shore, Seacoasts in History by John R. Gillis

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The Human Shore, by John Gillis University of Chicago Press, 2012
The Human Shore, University of Chicago Press, 2012

 

The interior section of Cape Ann, which includes Gloucester and Rockport, is called Dogtown. It was the earliest part of the Cape to be settled, and was later abandoned, so that its only occupants for many years were dogs, witches, and other assorted outcasts. It is still largely undeveloped. “Why here?” visitors ask,

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Book Review: The Perfect Protein

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Correct_PerfectProtein_Cover1Be still my beating heart. A book that embraces the aquatic ape theory of evolution, and includes a recipe for jellyfish. My novel Float does too, but I was writing in the playing fields of fiction, and they are dead serious.

“They” are Oceana, an international organization whose goal is to protect the world’s oceans, and in effect, feed the world. This is the organization behind the seafood fraud study

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The Earth Goddess and Fiction

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Goddess by Baraka Berger
Goddess by Baraka Berger

With the Summer Solistice upon us, it’s a good time to revisit the Earth Goddess and her literary legacy. In sync with the first Earth Day in 1970, when I was an impressionable 14 year-old, women were throwing off the shackles of patriarchy in the streets and in their homes, even in churches, chucking out any male god who lived on a cloud. Many turned to the Old Religion, governed by the Goddess, who once reigned over a peaceful, matrilineal world in harmony with Nature. Then, according to legend, the priests came, driving her and her followers underground where they were called witches, and thus began civilization’s slide into constant war and ecological devastation.

 

Women writers of the 70’s and early 80’s incorporated this mythopoeic vision into their novels, and I read them all. Marge Piercy, in Woman on the Edge of Time, wrote about an ideal society based on the assumed female principles of peace and love of the earth, set against a cautionary tale of continued male domination and its attendant disregard for the planet. In The Handmaid’s Tale, Margaret Atwood created a dystopia of sexism and violence after men become infertile by a toxic event of their own making. Other writers contemplated the past instead of the future. Marion Zimmer Bradley retold the King Arthur myth from Morgan le Fay’s point of view in The Mists of Avalon, making the goddess worshipper the heroine and not the villain. Jean Auel, in Clan of the Cave Bear, placed the goddess plunk in the center of the Stone Age.

mists-of-avalon

By the mid-80’s, as women put on their shoulder pads and floppy ties and went to the office, feminism began to pull away from the Earth Goddess. Flouting one’s fertility and innate peaceful nature at the office was not going to break any glass ceilings. The focus had turned to job equality and pay equity, so academic and political interests set out to prove there were no differences between the genders. And rightly so. It’s a small step from archetype to stereotype.

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