Rory Freedman’s new book, Beg: A Radical New Way of Regarding Animals, is a must-read for anyone who believes himself or herself to be an animal lover. The main idea behind this book is that many people who think they love animals in fact unknowingly participate in any number of things that do animals great harm — and this idea is indeed “radical” to people who love their dogs but eat pigs (who are just as intelligent) or love their cats but wear leather, and so on.
Yet this book is not at all preachy; Freedman uses the same warmth and humor that made the Skinny Bitch books so wildly popular. And she is also not the type of activist who feels superior to anyone who isn’t yet on the same page — she writes, “I wasn’t born a vegan…I was contributing to a lot of violence and suffering. And I’d be remiss if I didn’t remind you, with love, that you too have been complicit in the confinement, torture, and slaughter of animals.”
This will surely sound harsh to some readers — yet this is precisely what Beg is about: opening pet lovers’ eyes to the realities of what other animals suffer and asking what it truly means to call oneself an animal lover. While the book begins with stories of Freedman’s own pets, she inserts a short letter about a third of the way through letting us know “the party’s over” — in other words, the tough stuff starts here. And it’s also the most important stuff — the many ways in which we all may be contributing to animal suffering (and, as she also points out, human suffering and environmental devastation) through choices that can very easily be changed or modified.
Freedman tackles such topics as why we need to adopt animals, not buy them; the horrors behind dog shows and the declawing of cats; animal studies, and why they’re bad for both animals and humans; bullfighting, dog racing, the circus, the Iditarod, sport fishing, hunting, and other forms of “entertainment”; and fashion, from leather to fur to wool.
Readers new to the facts behind these issues may not realize that, for example, while the American Humane Association (AHA) monitors animals on the set of films and assures viewers that “no animals were harmed during the making of this film,” most animal abuse and deaths occur during training or off set. (As just one example, check out the “humane” treatment of elephants used in the film Water for Elephants, in this article and video by Animal Defenders International.)
Many who choose faux fur over the real thing may not realize that some of the “faux” fur is not faux at all — and much fur, both real and fake, comes from cats and dogs, part of a gruesome and heartbreaking fur trade in China.
Readers who think of themselves as environmentalists may be interested to learn that giving up meat and leather are among the very most environmentally friendly things they can do (Freedman notes that “animal agriculture is the number one cause of climate change…It beats out all transportation in the world combined”). And readers who might say, “Aren’t people more important than animals?” will learn that the human-rights abuses in factory farms are rampant, and that the grain being used to feed animals could be far better used to feed the world’s hungry.
The only thing I wish were different about this book are the title and package, which are so specifically geared toward dogs that I worry cat people and others might feel it’s not for them (as more of a cat person, I probably wouldn’t have picked it up if I didn’t already admire Freedman and her work). It would be a shame if this ends up limiting the audience because this book shows the reality of how far we all need to go in how we treat animals and also offers amazing resources, tips, and ideas for positive change.
And Freedman is the first to admit that it’s a long journey: As someone who once had her own cat declawed (“Had I allowed simple common sense to pervade my teenage brain, I would’ve known that declawing a cat is cruel and barbaric…How selfish and stupid”) and who used to eat meat at three meals a day, Freedman writes with compassion as well as understanding. Change is hard, she admits, but she’s not shy about exhorting readers to give it a try — and she’s taking a hands-on approach. (Visit her website for more info.)
“So what’s it gonna be?” Freedman asks us. “You’re either in or you’re out.”
Midge Raymond is a co-founder of Ashland Creek Press. She is the author of the novel My Last Continent and the award-winning short story collection Forgetting English. Her suspense novel, Devils Island, co-authored with John Yunker, is forthcoming from Oceanview Publishing in 2024, and her novel Floreana is forthcoming from Little A in 2025.